Is Spirit Classic Sheet Carbon the only manual paper in the Spirit brand range?
No, Spirit Classic Sheet Carbon hectographic paper and Spirit Classic Freehand hectographic paper are both manual or hand-stencil hectographic papers.
What is the difference between Spirit Classic Sheet Carbon and Spirit Classic Freehand paper?
The main difference is that Classic Sheet Carbon hectographic paper comes with a single sheet of pigmented carbon paper, while Spirit Classic Freehand hectographic paper comes with three sheets, including the carbon sheet, a sheet of onion paper, and a sheet of white tracing paper.
Does the range of manual stencil hectographic paper, namely Spirit Classic Sheet Carbon and Spirit Classic Freehand, work in thermal printers and thermo copiers?
No, these hectographic papers have been developed exclusively for manual and hand-held stencils. They are not compatible with printers or thermo copiers. For this option, you should choose the Spirit Classic Thermal ranges.
What is the difference between the Spirit Purple range and the Spirit Green range?
The only difference is the color of the pigment. Purple is a classic, and the green range appeared with the evolution of paper for VEGAN solutions.
Is the Spirit range of hectographic paper vegan? Are they safe for use on human skin?
Yes, the entire range of Spirit brand hectographic paper solutions are VEGAN, certified, and safe for use on human skin (Skin Safe).
Is Spirit Classic Sheet Carbon suitable for all tattoo styles?
Yes, Spirit's range of manual stencil papers are suitable for all tattoo styles and are very useful for artists who create custom stencils by hand and want to maintain control over the lines transferred to the skin.
Is the transfer of the stencil through Spirit Classic Sheet Carbon sheets onto the skin consistent?
Yes, the stencil is very detailed and consistent and ensures clean, even lines.
Can Spirit Classic Sheet Carbon be stored for a long time?
Yes, as long as it is kept in a dry and protected place. Storage in very hot areas can dry out the pigment and damage the paper, compromising the stencil's performance.